Given how SEO influences online publishing, the list article has become all too commonplace, and illustration is not exempt from its reach. One needn’t look far to find posts that itemise tools, trends, and must-have skills in the field. Conversely, it can be noticed that ‘listicles’ of this sort are nowhere to be found among reputable illustration organisations. It is unlikely that industry professionals are without pertinent views on this topic, which raises the question… Why does this commentary seldom come from relevant experts? And moreover, how valid are the illustration listicles that are being posted?
These listicles are usually easy to recognise, as they are often short descriptive summaries, and can easily be interspersed with any salient themes of the day. What is problematic is they are often penned by creative-industries personnel who do not actually work in the field. Meanwhile, illustrators, agents, educators, and industry experts are conspicuously absent. A media-literate reader would rightly question if there is adequate domain-specific knowledge to underpin such industry-wide commentary. And while quoting an active practitioner might sure up an article, it is no substitute for meaningful research.
Potentially informing creators and commissioners alike, listicles regularly speak of illustration as though it were a homogenous bloc, a preconception with no basis in reality. Furthermore, the major illustration markets each have their own distinctive needs. Editorial publishing, creating children’s books, gaming, entertainment, the comic book industry, advertising, and making saleable goods are not one and the same. In spite of all the insights being claimed by illustration listicles, this basic market segmentation is rarely mentioned.
“In a temporal world, when references are immediately commodified as the latest trend or fashion, it is ever more important to understand your own practice as an illustrator – to appreciate one’s status of being beyond simply that of an image maker […]”Former AOI board member Roderick Mills, 2019
“In a temporal world, when references are immediately commodified as the latest trend or fashion, it is ever more important to understand your own practice as an illustrator – to appreciate one’s status of being beyond simply that of an image maker […]”
As illustration moves further into professionalisation, wide-ranging reforms are being influenced by meaningful debate among educators, academics, researchers, and practitioners. The surface-level commentary that is typical of the aforementioned listicles is too often reductive, and ultimately counterproductive to the cultural and economic future that illustration is striving to build. In light of how SEO now influences online publishing it may be unrealistic to discontinue posting trend listicles. But perhaps a different tack ought to be considered, one acknowledging illustration as being a multifaceted field of practice. And in turn, the work of illustrators deserves to be meaningfully contextualised by authoritative sources.
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